Nicolas Hodges
About the artist
Nicolas Hodges (born 1970 in London) is an English pianist. He was educated at Christ Church Cathedral School, Oxford, Winchester College, and the University of Cambridge. Hodges studied the piano with Robert Bottone at Winchester, and subsequently with Susan Bradshaw and Sulamita Aronovsky; he studied composition at school with Michael Finnissy, and at University of Cambridge with Robin Holloway and Alexander Goehr. He also attended masterclasses at Dartington by Morton Feldman (1986) and Robert Saxton (1988).
Top songs
- Adams: Hallelujah Junction: 1st Movement
- China Gates
- American Berserk
- In Seven Days: Fugue. v. Creatures of the Sea and Sky
- Voicelessness (The Snow Has No Voice)
- Adams: Hallelujah Junction: 2nd Movement
- Snowdrift
- Adams: China Gates
- Road Movies: I. Relaxed Groove
- Hallelujah Junction: 1st Movement
Show all 100 songs
- Scene I: New Angels/ Transient Failures (Prologue)
- V Sonata
- Polveri Laterali
- In Seven Days: i. Chaos – Light – Dark
- Due Notturni pt 1
- In Seven Days: iv. Stars – Sun – Moon
- 3 Klavierstücke: I. —
- Due Notturni pt 2
- In Seven Days: ii. Separation of the waters into sea and sky
- Harrison's Clocks: I
- Notturno n. 3
- Sad Song
- Things Are Looking Up
- Oockooing Bird
- Phasma
- incidendo/fluido
- Notturno n. 4
- 3 Klavierstücke: II. —
- Notturno No. 3
- V Sonata, Con 5 Finali Diversi (Finale Di Salisburgo)
- In Seven Days: iii. Land – Grass – Trees
- Due Notturni: II
- Betty Freeman: Her Tango
- How Long Has This Been Going On?
- Berceuse de Jeanne
- Précis
- Harrison's Clocks: III
- Lemma-Icon-Epigram
- Due Notturni Crudeli pt 1
- Due Notturni: I
- Harrison's Clocks: II
- Dialogues
- Scene IV: Opus Contra Naturam (Descent of Benjamin into the Underworld): I - Untitled
- Harrison's Clocks: V
- In Seven Days: Fugue. vi. Creatures of the Land
- 3 Klavierstücke: III. —
- Voices & Piano: No. 5, Hanna Schygulla
- Harrison's Clocks: IV
- Variations from the Golden Mountain
- Due Notturni Crudeli pt 2
- Voices & Piano: No. 3, Lech Walesa
- They're Writing Songs of Love, But Not for Me
- Voicelessness. The snow has no voice (1986) for Piano
- In Seven Days: vii. Contemplation
- Ostinato with Melody
- Hector's Dawn
- Shall We Dance?
- The Axe Manual
- crimson
- Notturno No. 4
- Saraband: The Kings Farewell
- Adams: Road Movies: I. Relaxed Groove
- Konzert für Klavier und Orchester
- Scene VI: Seven Tableaux Vivants Representing the Angel of History as Melancholia (Second Barrier): Laurel's Eyes (after Heine's Lorelei)
- A foggy Day in London Town
- Voices & Piano: No. 1, Bertolt Brecht
- Voices and Piano for piano and loudspeaker: Bertolt Brecht
- Eidos
- Embraceable You
- Scene VI: Hashish in Marseilles
- Scene VI: Tensions
- Love Is Here to Stay
- Fidgety Feet
- Scene IV: Opus Contra Naturam: II - Katabasis
- They Can't Take That Away from Me
- Adams: Hallelujah Junction: 3rd Movement
- Voices & Piano: No. 4, Morton Feldman
- Poor Stuff
- Waiting for the Sun to Come Out
- Scene IV: Opus Contra Naturam: III - Kataplexy
- Pas Au-Dela
- Voices & Piano: No. 2, Gertrude Stein
- Scene VI: One and a Half Truths
- Voces Abandonadas: I. Für Helmut Lachenmann zum 70sten
- Scene VI: Can'ts
- Hamamuth, Stadt der Engel: Figur
- Hallelujah Junction
- Hallelujah Junction: 2nd Movement
- Invention
- Quirl
- Voices & Piano: No. 6, Mao Tse-tung
- Blah, Blah, Blah
- China Gates, for piano
- O, Schöner Mai
- Verdi Transcription No. 10, 'Me Pellegrina Ed Orfana'
- Stanley Stokes, East Street 1836
- Free Setting
- Drei Klavierstücke (2003/04): I.
- V Sonata, Con 5 Finali Diversi (finale Definitivo)
- Duo Notturni Crudeli: II
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