Michael Finnissy
About the artist
Michael Finnissy is an English composer and pianist born in Tulse Hill, London in 1946. Finnissy's own ablilities as a pianist underlie much of his compositions. A significant number of these are piano transcriptions in his very complex style which typically involves irrational musical rhythmic values, virtuosic technique (in the piano pieces) and intricate linear, rather than harmonic, textures. He is often cited as a main member of the so-called New Complexity school, though he does not like the term.
Top songs
- Requiem, K. 626: Lacrimosa
- How dear to me
- Minuet
- My Love is Like a Red Red Rose (------)
- Polskie Tance, Op. 32, No. 4: Zbójnicki (---------)
- Polskie Tance, Op. 32, No. 2: Kozak - Drobny (-----)
- Lord Melbourne
- Plain Harmony I
- My Love Is Like a Red Red Rose
- Piano Concerto No. 4
Show all 100 songs
- Folklore II
- The History of Photography in Sound: I. Le demon de l'analogie
- Snowdrift
- Part one, green meadows
- 3 Dukes Went A-Riding
- Willow Willow
- Terekkeme
- Videte miraculum
- Part two, midsummer morn
- Vieux Noel, Op. 59, No 2
- Svatovac
- Lylyly li
- How Long Has This Been Going On?
- The History of Photography in Sound: II. Le reveil de l'intraitable realite
- Piano Concerto No. 6
- Australian Sea Shanties, Set 2: No. 1. —
- Things Are Looking Up
- Polskie Tance, Op. 32: No. 2. Kozak - Drobny
- Green Meadows
- Polskie Tance, Op. 32: No. 3. Kujawiak
- Polskie Tance, Op. 32: No. 4. Zbojnicki
- The History of Photography in Sound: III. North American Spirituals
- Australian Sea Shanties, Set 2: No. 2. —
- Red Earth
- John the Baptist
- Telling
- A Foggy Day In London Town
- Part three, I'll give my love a garland
- Australian Sea Shanty, Set 2, No. 1 (------)
- Verdi Transcriptions: Book 1: III. —
- Part eight, come beat the drums and sound the fifes
- Australian Sea Shanty, Set 2, No. 2 (--------)
- Verdi Transcriptions: Book 1: I. —
- Embraceable You
- Piano Concerto No. 3
- Love Is Here To Stay
- They Can'T Take That Away From Me
- The History of Photography in Sound: IV. My parents' generation thought War meant something
- Plain Harmony II
- Part seven, my bonny boy
- Part four, May and December
- Verdi Transcriptions: Book 1: II. —
- Part six, the seds of love
- The History of Photography in Sound: VI. Seventeen Immortal Homosexual Poets
- Svatovac (-------)
- Part five, lies and marvels
- Gesualdo: Libro Sesto: I
- How Dear to Me (-----)
- Dum transisset Sabbatum
- Terekkeme (-----)
- Second String Quartet
- Nobody's Jig
- Derridas: Jacques Derrida goes to a nightclub
- Stabant Autem Iuxta Crucem
- The History of Photography in Sound: V. Alkan - Paganini
- Gershwin Arrangements: No. 1. How long has this been going on?
- Willow Willow (-------)
- Shall We Dance?
- Plain Harmony III
- Lies And Marvels
- Verdi Transcriptions: Book 1: IV. —
- Midsummer Morn
- Dilok
- James Duke son of John Duke (---------)
- Three Preludes: Prelude No. 1
- They'Re Writing Songs Of Love, But Not For Me
- Vieux Nöel, Op. 59 No. 2 (-------)
- 20th Century Music
- Derridas: Jacques Derrida Goes to a Massage Parlour
- WAM
- May And December
- Stanley Stokes, East Street 1836
- Blah, Blah, Blah
- Gesualdo, Libro Sesto: 1. —
- I'll Give My Love A Garland
- Sehnsucht
- Verdi Transcriptions: Book 1: V. —
- The Seeds Of Love
- Runnin' Wild
- Fidgety Feet
- Reels
- Verdi Transcriptions: Book 1: VII. —
- Three Preludes: Prelude No. 2
- The History of Photography in Sound: VII. Eadweard Muybridge - Edvard Munch
- Verdi Transcriptions, Book I: No. 1, Sciagurata! A questo lido ricercai l'amante infido
- Multiple Forms of Constraint
- Moon's goin' down
- Kulamen Dilan
- Herr Christ, der einge Gottessohn: IV. ‘O Wunderkraft der Liebe’
- Gershwin Arrangements: No. 5. They can't take that away from me
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