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Rebecca Saunders

About the artist

Rebecca Saunders (b. 1967, London) is a Berlin-based British composer and sound artist. Saunders has become a leading international representative of her generation, after having studied composition with Nigel Osborne in Edinburgh and Wolfgang Rihm in Karlsruhe. Saunders pursues an intense interest in the sculptural and spatial properties of organised sound. chroma I - XX (2003-2017), Stasis and Stasis Kollektiv (2011/16) are expanding spatial collages

Top songs

  1. Quartet
  2. crimson
  3. Molly's Song 3, "shades of crimson"
  4. Fury for Double Bass Solo
  5. Skin
  6. Fletch
  7. Void
  8. into the blue
  9. Dichroic Seventeen
  10. Blue and Gray
Show all 100 songs
  1. Unbreathed
  2. Blaauw
  3. Solitude
  4. Stirrings Still
  5. Duo
  6. To and Fro
  7. Molly's Song 3 - shades of crimson
  8. Miniata
  9. Vermillion
  10. Shadow (2013) study for piano
  11. Stirrings still II
  12. Violin Concerto "Still" (Live)
  13. Dust (2017/18) for percussion solo
  14. QUARTET (1998) for accordion, clarinet, double-Bass and Piano
  15. Stasis: II.
  16. Dust (2017/18)
  17. Stasis: I.
  18. Molly's Song 3 - Shades of crimson (1995-1996) for alto flute, viola, steel-Stringed acoustic guitar, 4 radios and a music Box
  19. Bite
  20. shadow
  21. Stasis: III.
  22. Molly's Song 3 for Alto Flute, Viola, Guitar, Radios and Music Box
  23. Hauch
  24. Shadow (2013)
  25. Murmurs
  26. Fury II - Concerto für Kontrabass und Ensemble
  27. Blue and Gray for two double basses (2005)
  28. to an utterance - study (2020) for solo piano
  29. Into the Blue (1996) for clarinet, bassoon, piano, percussion, cello and Double-Bass
  30. Stirrings Still for five players (2006)
  31. Solitude (2013) for Solo Violoncello
  32. White
  33. vermilion for clarinet in B flat, electric guitar and violoncello (2003)
  34. blaauw. solo for double-bell trumpet (2004)
  35. Choler
  36. Duo for violin and piano (1996/99)
  37. Hauch (2018) for violin solo
  38. Stasis: IV.
  39. Caerulean
  40. Choler: choler
  41. Flesh (2018) Solo for Accordion with Recitation
  42. to an utterance - study (2020)
  43. Hauch (2018)
  44. Solitude (2013)
  45. Flesh (2018)
  46. Dichroic seventeen (1998) for accordion, electric guitar, piano, two percussionists, cello and two Double-Basses
  47. Aether (Live)
  48. Trumpet Concerto "Alba" (Live)
  49. ...of waters making moan
  50. Choler (2004) For Two Pianos
  51. A Visible Trace
  52. Still
  53. Miniata (2004) for accordion, piano, choir and orchestra
  54. Crimson, for piano solo (2005)
  55. crimson (2004-05) for piano
  56. Behind the Velvet Curtain für Trompete, Harfe, Klavier, Violoncello
  57. cinnabar
  58. Mollys Song 3 for alto flute, viola, guitar, radios and music box
  59. O Yes & I
  60. miniata (2004)
  61. Miniata, for solo accordion, solo piano, orchestra and choir (2004)
  62. Choler, for two pianos (2004)
  63. blue and gray [2006] for two double basses
  64. O
  65. choler (2004) für zwei Klaviere
  66. Duo for Violin and Piano
  67. a visible trace, for 11 soloists & conductor (2006)
  68. murmurs - Binaural Mix
  69. miniata (2004) für Akkordeon, Klavier, Chor und Orchester
  70. crimson (2004-05) für Klavier
  71. neither
  72. Into The Blue (1996)
  73. Vermilion
  74. Traces
  75. molly's song 3 - shades of crimson for alto flute, viola, steel-stringed acoustic guitar, radios and a musical box (1995-1996)
  76. Dichroic Seventeen (1998)
  77. Alba
  78. quartet 1998 -cl-acc-pf-cb- Ictus Peelman
  79. Rubricare
  80. quartet for accordion, clarinet, double-bass and piano (1998)
  81. dichroic seventeen for accordion, electric guitar, piano, two percussionists, cello and two double-basses (1998)
  82. into the blue for clarinet, bassoon, piano, percussion, cello and double-bass (1996)
  83. Unbreathed (excerpt)
  84. Blue and Gray for Two Double Basses
  85. Visible Trace
  86. blue and gray (2005) for two double basses
  87. fury
  88. Aether
  89. Stasis: II
  90. Stasis: III

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