James Tenney
About the artist
James Tenney (August 10, 1934 - August 24, 2006) was an American composer and influential music theorist. Tenney was born in Silver City, New Mexico, and grew up in Arizona and Colorado. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, Lejaren Hiller, John Cage, Harry Partch, and Edgard Varèse.
Top songs
- Collage #1 ("Blue Suede")
- Spectral Canon for Conlon Nancarrow (1976 version; piano roll punched by Nancarrow)
- Analog #1 (Noise Study)
- Dialogue
- Spectral Canon For Conlon Nancarrow
- Music for Player Piano
- Having Never Written A Note for Percussion
- For Ann (rising)
- Ergodos II (for John Cage)
- Phases (for Edgard Varèse)
Show all 100 songs
- Listen...!
- Fabric for Ché
- Maximusic
- Harmonium #1
- Tenney: Three Pages in the Shape of a Pear (In Celebration of Erik Satie)
- 64 Studies for 6 Harps: Study #1
- Koan
- Saxony
- Flocking (1993)
- Beast
- Bridge - Part I, section I (1984)
- 64 Studies for 6 Harps: Study #2
- Ergodos II
- Cellogram
- A Rose Is a Rose Is a Round
- 64 Studies for 6 Harps: Study #3
- For 12 Strings (Rising)
- Noise Study
- Swell Piece
- (Beast) - 1971
- Spectral Canon for Conlon Nancarrow - 1976 version; piano roll punched by Nancarrow
- 64 Studies for 6 Harps: Study #4
- Bridge - Part II (1984)
- Form 1 (In Memoriam Edgard Varese)
- Ergodos I
- 64 Studies for 6 Harps: Study #5
- Form 2 (In Memoriam John Cage)
- Chromatic Canon
- Swell Piece #2
- 64 Studies for 6 Harps: Study #6
- Maximusic (1965)
- 64 Studies for 6 Harps: Study #7
- Critical Band
- 64 Studies for 6 Harps: Study #8
- Poem
- Form 3 (in memoriam Stefan Wolpe)
- 64 Studies for 6 Harps: Study #10
- 64 Studies for 6 Harps: Study #9
- Form 4 (in memoriam Morton Feldman)
- 64 Studies for 6 Harps: Study #13
- Diaphonic Toccata
- Edgard Varese - Octandre
- Ergodos I For John Cage
- Voice(s)
- John Cage - Seven
- 64 Studies for 6 Harps: Study #11
- 64 Studies for 6 Harps: Study #12
- Glissade, for Viola Cello, Doublebass and Tape Delay System: Shimmer - 1982
- Chorale
- Bridge - Part I, section II (1984)
- Swell Piece #3
- 64 Studies for 6 Harps: Study #14
- Dialogue (1963)
- 64 Studies for 6 Harps: Study #17
- Phases (For Edgard Varese)
- Harmonium No. 3
- Ergodos II with Instrumental Responses
- Two Koans And A Canon: III. [Canon]
- August Harp
- 64 Studies for 6 Harps: Study #15
- 64 Studies for 6 Harps: Study #16
- Stochastic Quartet
- Two Koans And A Canon: II. Second Koan
- 64 Studies for 6 Harps: Study #18
- Koan (1971)
- 64 Studies for 6 Harps: Study #19
- 64 Studies for 6 Harps: Study #22
- A Rose is a Rose is a Round (1970)
- for percussion perhaps, or...
- 64 Studies for 6 Harps: Study #23
- Koan: Having Never Written A Note For Percussion
- 64 Studies for 6 Harps: Study #25
- Monody
- (night) (2) - 1971
- 64 Studies for 6 Harps: Study #24
- 64 Studies for 6 Harps: Study #20
- Diaphonic Trio
- 64 Studies for 6 Harps: Study #28
- 64 Studies for 6 Harps: Study #27
- 64 Studies for 6 Harps: Study #30
- 64 Studies for 6 Harps: Study #29
- (night) - 1971
- 64 Studies for 6 Harps: Study #21
- Swell Piece (1967)
- Blues for Annie
- Beast (1971)
- Spectrum 1
- 64 Studies for 6 Harps: Study #26
- 64 Studies for 6 Harps: Study #33
- Morton Feldman - Numbers
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