Milton Babbitt
About the artist
Composer Milton Babbitt's influence on contemporary music is inestimable. His innovative use of the human voice, his infusions of electronic tape sounds into live performances, his serial compositional techniques and pioneering work in synthesized sound, all broke new ground in the music world. His compositions, with their twelve-tone structures, complex mathematical tonal combinations, and synthetic sounds, offered up with Babbitt's cerebral explanations, evince serious purpose, energy, and wit.
Top songs
- Philomel
- Beaten Paths
- Homily
- None But The Lonely Flute
- Part I
- Soli E Duettini
- Part II
- Semi-Simple Variations
- Three Compositions
- Play It Again, Sam
Show all 100 songs
- Whirled Series
- Melismata
- Philomel (edit)
- Philomel For Soprano, Recorded Soprano, And Synthesized Sound
- Post-Partitions
- Composition For Guitar
- Partitions
- Occasional Variations
- Duet
- Ensembles for Synthesizer
- Composition For Synthesizer
- Reflections
- Tableaux
- String Quartet No. 6
- String Quartet No. 2
- Phonemena for soprano and piano
- Canonical Form
- Duet (1956)
- Lagniappe
- Phonemena For Soprano And Tape
- Three Compositions (1947-48)
- Semi-Simple Variations (1956)
- Philomel (2nd movement)
- Partitions (1957)
- Post-Partitions (1966)
- Tableaux (1973)
- String Quartet no.6
- Around the Horn: Part I
- 15 - Philomel (edit)
- Philomel [edit]
- Philomel (edit), 1964
- Canonical Form (1983)
- Quatrains
- composition for four instruments
- String Quartet no.2
- Phonemena
- Accompanied Recitative
- Lagniappe (1985)
- Manifold Music
- Reflections (1974) For Piano And Synthesized Tape
- Concerto for Piano and Orchestra
- Around the Horn: Part II
- Philomel, 1964
- Three Compositions For Piano: I. Quarter-note = 108
- Play It Again Sam
- Fanfare For All
- Reflections for piano and synthesized tape
- Philomel (1964)
- Swan Song No. 1
- Philomel (2nd Movement) - Milton Babbitt
- The Joy of More Sextets
- Babbit: Philomel
- Sextets
- Clarinet Quintet: measure 1
- Concerto For Piano And Orchestra (1985)
- The Head of the Bed
- Correspondences
- Philomel (Edit) (1964)
- Philomel: Section I
- The Widow's Lament in Springtime
- Ensembles for Synthesizer (1964)
- Paraphrases
- My Ends Are My Beginnings: II. —
- My Ends Are My Beginnings: I. —
- Arie da Capo
- My Ends are My Beginnings: II. Section II
- Minute Waltz
- My Ends are My Beginnings: I. Section I
- My Ends Are My Beginnings: III. —
- It Takes Twelve to Tango
- Composition for guitar [1984] - Live in Studio
- Composition for Viola and Piano
- Phonemena, for soprano and piano
- String Quartet No. 4 (1970)
- All Set
- Emblems (Ars Emblematica)
- Clarinet Quintet: measure 247
- Soli e duettini (Version for 2 Guitars)
- The Head Of The Bed (1982)
- Clarinet Quintet: measure 80
- Clarinet Quintet: measure 482
- Vision and Prayer
- String Quartet No. 4
- Playing for Time
- String Quartet No. 5
- My Ends are My Beginnings: III. Section III
- Danci
- Preludes, Interludes, and Postlude
- Sounds and Words
- Phonemena, for soprano and tape
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