Stefan Wolpe
About the artist
Stefan Wolpe (August 25, 1902 – April 4, 1972) was a German-born composer. Wolpe was born in Berlin. He attended the Berlin Conservatory from the age of fourteen, attended the Berlin Hochschule für Musik 1920-1921. He studied composition under Franz Schreker and was also a pupil of Ferruccio Busoni. He also studied at the Bauhaus and met some of the dadaists, setting Kurt Schwitters' poem Anna Blume to music. The music Wolpe was writing between 1929 and 1933 was atonal, using Arnold Schoenberg's twelve tone technique.
Top songs
- Palestinian Notebook (Excerpts): No. 3, Lullaby
- Second Piece for Violin Alone
- Part I: Procession
- I. Un poco allegro
- Part II: March Through the Red Sea
- Part II: Aaron's Desperation
- Passacaglia
- Tango
- The Good Spirit Of A Right Cause
- Part II: Moses Walks Among the People - Commands Some to be Killed
Show all 100 songs
- Passacaglia from 4 Studies on Basic Rows
- Stehende Musik
- III. Lento - Scherzo
- Quartet for Trumpet, Tenor Saxophone, Percussion and Piano
- Variation
- Part II: Restlessness
- Part II: Moses meets Aaron - Command of Moses for the Waters
- Part II: Conversation with God
- Part II: Return of Moses - Breaking of Tablets - Moses Falls into the Arms of Joshua
- Battle Piece: I. Quasi presto
- Zemach Suite: VII. Dance in Form of a Chaconne
- Part I: Pharoh's Daughter Bathes in the Nile, finds the Baby
- Quartet
- Part I: Pet of the Court - Political Intrigue
- suite im hexachord: iii. fuge
- 4 Studies on Basic Rows, Op. 23: No. 4, Passacaglia
- Part I: Moses Buries the Taskmaster in the Sand
- Part I: Seftdom Lamentation
- Part I: Mother Conceives Child
- Adante tranquillamente (1929)
- Con fuoco ed energia (1920)
- energico ed animato (1929)
- String Quartet (1969): I. Quarter-Note = 92
- IV. Allegretto deciso
- Part I: Overture
- vivo e sereno (1934)
- Early Piece
- Part I: Moses Among the Workers
- marcia funebre (1931)
- adagio nr 5 (1920)
- Stehende Musik (1925)
- String Quartet (1969): II. Quarter-Note = 44
- Waltz for Merle
- variation (1923)
- Piece For Oboe, Cello, Percussion And Piano, "Oboe Quartet": II. Calm
- Piece For Oboe, Cello, Percussion And Piano, "Oboe Quartet": I. Early Morning Music
- Piece
- tango (1927)
- I. quarter note = 92
- Form for Piano
- 4 Studies on Basic Rows: No. 4, Passacaglia. Study on an All-interval Row in Conjunction with 11 Basic Rows
- String Quartet: I. Quarter Note = 92
- III. Intense and Spirited
- Part II: Gathering of People
- Battle Piece: V. Moderato
- Passacaglia for Piano
- II. quarter note = ca. 180
- II. Allegro appassionato
- Battle Piece: IV. Vivo
- I. Early Morning Music
- Battle Piece: III. Con moto ma non troppo
- Battle Piece: VI. Con brio
- Sonata For Violin And Piano: I. Un Poco Allegro
- adagio. gesang, weil ich etwas teures verlassen muss
- Battle Piece: II. Molto sostenuto
- Battle Piece - V
- Piano Sonata, "Stehende Musik": I. Sehr Schnell
- II. quarter note = 144
- March And Variations For Two Pianos
- suite im hexachord: i. sostenuto
- Battle Piece - I
- I. quarter note = ca. 132
- IV. Taut, to oneself
- Solo Piece for Trumpet
- Battle Piece - III
- Piece For Oboe, Cello, Percussion And Piano, "Oboe Quartet": IV. Taut, To Oneself
- Chamber Piece No. 1
- zemach suite: ii. piece of embittered music
- Battle Piece: VII. Allegro non troppo
- Piece For Oboe, Cello, Percussion And Piano, "Oboe Quartet": III. Intense And Spirited
- 5 Adagios: No. 3. Gensang, weil ich etwas Teures verlassen muss
- Battle Piece - II
- zemach suite: v. jubilation
- Battle Piece - VII
- Battle Piece, "Encouragement for Piano": VI. Con brio
- 5 Marches caracteristiques
- zemach suite: i. song
- Battle Piece - VI
- 6 Klavierstucke: Tango
- Battle Piece - IV
- zemach suite: vi. complaint
- Enactments I
- Piece For Two Instrumental Units
- Zeus und Elida: Charleston
- 6 Klavierstucke: Rag-Caprice
- Piece in two parts for six players
- enactments 1
- Sonata No. 1 - Stehende Musik: I. Sehr Schnell
- Piece (1971)
- II. Calm
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