Philip Corner
About the artist
Philip Corner (born April 10, 1933) is an American composer, trombonist, vocalist, and pianist. Biography Philip Corner studied at Columbia University with Otto Luening and Henry Cowell, later with Olivier Messiaen at the Paris Conservatoire and privately with Dorothy Taubman in New York. He taught at the New Lincoln School in New York from 1966-1972, the New School for Social Research from 1967-1970 and Rutgers University from 1972-1992, after which point he moved to Reggio Emilia
Top songs
- Sonata No. 2 For Cello And Piano
- Ogive I
- Ogive II
- Ogive III
- The Feast Given By The Norman Knights To Honour A Young Girl
- Ogive IV
- Gnossienne No.1
- First Gymnopédie
- Short Piano Piece XIII
- Gamelan
Show all 98 songs
- First Prelude of the Nazarene
- 7 Joyous Flashes
- Second Prelude of the Nazarene
- The Gothic Dances
- Third Gymnopédie
- Second Gymnopédie
- The Barcelona Cathedral, 1st
- First Fanfare of the Rose+Cross - Air Of The Order
- Car Passing at Night, Country Road in Maine
- Wholy Trinitye, A Duality Ov Duos - First (2016)
- Chorales
- Second Fanfare of the Rose+Cross - Air Of The Grand Master
- Third Fanfare of the Rose+Cross - Air Of The Head Prior
- Car Passing At Night, Country Road In Maine, 1988
- Empire's Diva
- 14 Car passing at night, country road in Maine, 1988
- Concerto For Housekeeper
- Belum
- Short Piano Piece IV
- Short Piano Piece IX
- 2 Extreemizms (2015)
- Flux And Form No. 2 (Solo)
- Flus And Form No. 2 (Three Versions Mixed)
- Wholy Trinitye, A Duality Ov Duos - Second (2016)
- Pulse: A 'Keyboard Dance' / C Major Chord
- Wholy Trinitye, Another Duet, Just-One (2016)
- Gnossienne No. 1
- Chord - B Major / B♭ Minor 9
- Satie's Rose Cross As A Revelation
- Carrot Chew Performance
- wHoly Trinitye, for a “free-togethering” (2016)
- Finale - Violin, Cello, Piano (1958)
- Two-part Monologue No°2 (1958)
- Perfect (On The Strings)
- Side A
- Two-part Monologue No. 1 (1958)
- Through the Mysterious Barricade with Paulette
- Car Passing At Night, Country Road In Maine 1988
- Two-part Monologue No°1 (1958)
- Gong! - Transcription For Low Strings
- Gong!
- Promenade. Marching with hubcaps to B'way NYC (1978)
- Terra Cotta (heated stone)
- Vocalise
- Flares - the electronic element
- air effect
- Metal Meditations with Listening Center
- Car passing at night, country road in Maine (1988)
- Memories: Performances
- Rock - A Near Elemental - Studio
- Two-part monologue No°3 (1958)
- Breath: Rubbing Rock
- From Thaïs
- Vox
- Ear Wave
- Through The Mysteriously "Beat-Up" Barricade
- PoorManMusic
- Boiling Water
- Two-part Monologue No.2 (1958)
- Pulse Polyphony
- Gong! (Transcription For Low Strings)
- Two-part Monologue No. 2 (1958)
- Two-Part Monologue No.1 (1958)
- One Note More Than Once - Studio
- Piano Activities for Many Pianists
- bev's circus tape
- Satie: First Gymnopédie
- Gong / Ear
- Big Trombone
- Two-Part Monologue No.3 (1958)
- Passionate Expanse Of The Law
- Introduction - Live
- "Perfect" (On The Strings)
- Chord: B Major / B♭ Minor 9
- First Picture. Gamelan 'Antipode' (1983)
- Side B
- Finale - Violin, Cello, Piano (1958)°
- At Charlie Morrow Studio
- Gong (Cymbal) - Ear in the desert
- At Cavriago, R.E.
- At Merce Cunningham Studio
- My Favorite Tune - Live
- One Note More Than Once
- Gongs
- Promenade. Marching with hubcaps on B'way NYC (1978)
- Promenade. Marching with kenongs in Vancouver - EXPO 1986
- with Claude Cossette NY April 6, 1989
- Oracle, an electronic cantata on images of war: strike week version - Black Hole
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