Norman Yamada
About the artist
Conductor and experimental music composer Norman Yamada sometimes participated himself in new music ensemble performances, contributing with organ and shortwave radio. The Harvard graduate has been commissioned by the AGON Orchestra, has worked with Bang on a Can All-stars, and has served as prompter for John Zorn's Cobra project. By Being and Time's release on Tzadik in 1998, Yamada had appeared on five recordings, including a Young Nashvillians release on Kattywampus, and Construction and Demolition on Avant.
Top songs
- Two
- Three
- One, Two, Three: One
- 9.1.95
- Deterioration: One
- Excerpt [2]
- Being and Time: Excerpt [1]
- Four
- The usual regrets
- Being and Time (Excerpt One)
Show all 100 songs
- Everyone complains
- Deterioration #1: One
- On the Fetish Character in Music and the Regression of Listening: One
- Deterioration #1: Two
- Being and Time (Excerpt Two)
- Deterioration #1: Four
- One, Two, Three - One
- Deterioration #1: Three
- Go
- It's better to forget what you can't remember
- On the Fetish Character in Music and the Regression of Listening: Two
- On the Fetish Character in Music and the Regression of Listening: Three
- Being and Time (Excerpt 1)
- Paste
- One, Two, Three - Two
- BEING AND TIME excerpt one
- One, Two, Three: three
- Being And Time (Excerpt 2)
- One, Two, Three- 1
- One
- Stop
- Coin Toss
- Being And Time excerpt two
- One, Two, Three: two
- One, Two, Three - Three
- Deterioration #1 - Three
- On The Fetish Character In Music And The Regression Of Listening - Two
- On The Fetish Character In Music And The Regression Of Listening - One
- On the Fetish Character In Music and the Regression of Listening - 1
- On the Fetish Character In Music and the Regression of Listening - 3
- One, Two, Three- 2
- Deterioration #1 - One
- Deterioration #1 - Four
- On The Fetish Character In Music And The Regression Of Listening - Three
- On the Fetish Character In Music and the Regression of Listening - 2
- Deterioration #1- 1
- Deterioration #1- 4
- Deterioration #1 - Two
- Deterioration #1- 3
- One, Two, Three- 3
- Deterioration #1- 2
- One,
- Two,
- Mundane Dissatisfactions: II. Everyone Complains
- Deterioration: Two
- Deterioration: Four
- Deterioration: Three
- Mundane Dissatisfactions: I. go
- Mundane Dissatisfactions: VI. stop
- Mundane Dissatisfactions: III. It's Better to Forget What You Can't Remember
- Mundane Dissatisfactions: IV. paste
- Mundane Dissatisfactions: V. The Usual Regrets
- Year One - One
- Year One - Two
- One, Two, Three -two
- ONE, TWO, THREE one
- Being And Time Exerpt One
- One, Two, Three -three
- Year One: One
- Year One: Two
- On The Fetish Character In Mus
- Being And Time: Excerpt Two
- One, Two, Three - 3
- One, Two, Three - 1
- Deterioration #1 - 2
- Being And Time: Excerpt One
- Being & Time (excerpt Two)
- One, Two, Three - 2
- Deterioration #1 - 1
- DETERIORATION NO 1 - three
- On the Fetish Character in Music & the Regression of Listening: Two
- On the Fetish Character in Music & the Regression of Listening: Three
- Deterioration #1 - 3
- Deterioration #1 - 4
- Cobra 02: Naja Naja Atra [Live]
- Being and Time (excerpt 1) / One
- BEING AND TIME - excerpt one
- DETERIORATION NO 1 - four
- On the Fetish Character in Music - One
- On the Fetish Character in Music - Two
- On the Fetish Character in Music - Three
- Year One, Pt. 1
- Year One, Pt. 2
- One, Two, Three [One]
- ONE, TWO, THREE two
- ONE, TWO, THREE three
- DETERIORATION #1 one
- DETERIORATION #1 two
- DETERIORATION #1 three
- DETERIORATION #1 four
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