Norman Yamada

About the artist

Conductor and experimental music composer Norman Yamada sometimes participated himself in new music ensemble performances, contributing with organ and shortwave radio. The Harvard graduate has been commissioned by the AGON Orchestra, has worked with Bang on a Can All-stars, and has served as prompter for John Zorn's Cobra project. By Being and Time's release on Tzadik in 1998, Yamada had appeared on five recordings, including a Young Nashvillians release on Kattywampus, and Construction and Demolition on Avant.

Top songs

  1. Two
  2. Three
  3. One, Two, Three: One
  4. 9.1.95
  5. Deterioration: One
  6. Excerpt [2]
  7. Being and Time: Excerpt [1]
  8. Four
  9. The usual regrets
  10. Being and Time (Excerpt One)
Show all 100 songs
  1. Everyone complains
  2. Deterioration #1: One
  3. On the Fetish Character in Music and the Regression of Listening: One
  4. Deterioration #1: Two
  5. Being and Time (Excerpt Two)
  6. Deterioration #1: Four
  7. One, Two, Three - One
  8. Deterioration #1: Three
  9. Go
  10. It's better to forget what you can't remember
  11. On the Fetish Character in Music and the Regression of Listening: Two
  12. On the Fetish Character in Music and the Regression of Listening: Three
  13. Being and Time (Excerpt 1)
  14. Paste
  15. One, Two, Three - Two
  16. BEING AND TIME excerpt one
  17. One, Two, Three: three
  18. Being And Time (Excerpt 2)
  19. One, Two, Three- 1
  20. One
  21. Stop
  22. Coin Toss
  23. Being And Time excerpt two
  24. One, Two, Three: two
  25. One, Two, Three - Three
  26. Deterioration #1 - Three
  27. On The Fetish Character In Music And The Regression Of Listening - Two
  28. On The Fetish Character In Music And The Regression Of Listening - One
  29. On the Fetish Character In Music and the Regression of Listening - 1
  30. On the Fetish Character In Music and the Regression of Listening - 3
  31. One, Two, Three- 2
  32. Deterioration #1 - One
  33. Deterioration #1 - Four
  34. On The Fetish Character In Music And The Regression Of Listening - Three
  35. On the Fetish Character In Music and the Regression of Listening - 2
  36. Deterioration #1- 1
  37. Deterioration #1- 4
  38. Deterioration #1 - Two
  39. Deterioration #1- 3
  40. One, Two, Three- 3
  41. Deterioration #1- 2
  42. One,
  43. Two,
  44. Mundane Dissatisfactions: II. Everyone Complains
  45. Deterioration: Two
  46. Deterioration: Four
  47. Deterioration: Three
  48. Mundane Dissatisfactions: I. go
  49. Mundane Dissatisfactions: VI. stop
  50. Mundane Dissatisfactions: III. It's Better to Forget What You Can't Remember
  51. Mundane Dissatisfactions: IV. paste
  52. Mundane Dissatisfactions: V. The Usual Regrets
  53. Year One - One
  54. Year One - Two
  55. One, Two, Three -two
  56. ONE, TWO, THREE one
  57. Being And Time Exerpt One
  58. One, Two, Three -three
  59. Year One: One
  60. Year One: Two
  61. On The Fetish Character In Mus
  62. Being And Time: Excerpt Two
  63. One, Two, Three - 3
  64. One, Two, Three - 1
  65. Deterioration #1 - 2
  66. Being And Time: Excerpt One
  67. Being & Time (excerpt Two)
  68. One, Two, Three - 2
  69. Deterioration #1 - 1
  70. DETERIORATION NO 1 - three
  71. On the Fetish Character in Music & the Regression of Listening: Two
  72. On the Fetish Character in Music & the Regression of Listening: Three
  73. Deterioration #1 - 3
  74. Deterioration #1 - 4
  75. Cobra 02: Naja Naja Atra [Live]
  76. Being and Time (excerpt 1) / One
  77. BEING AND TIME - excerpt one
  78. DETERIORATION NO 1 - four
  79. On the Fetish Character in Music - One
  80. On the Fetish Character in Music - Two
  81. On the Fetish Character in Music - Three
  82. Year One, Pt. 1
  83. Year One, Pt. 2
  84. One, Two, Three [One]
  85. ONE, TWO, THREE two
  86. ONE, TWO, THREE three
  87. DETERIORATION #1 one
  88. DETERIORATION #1 two
  89. DETERIORATION #1 three
  90. DETERIORATION #1 four

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