Matthias Weckmann
About the artist
Matthias Weckmann (1616?-1674) was a North German musician and composer of the Baroque period. Weckmann was born in Niederdorla (Thuringia), probably in 1616. His musical training took place in Dresden (as a chorister at the Saxon Court, under the direction of Heinrich Schütz), then in Hamburg where he worked with the famous organist Jacob Praetorius at Saint Peter's church (Petrikirche). He was introduced to the Italian concertato, polychoral
Top songs
- Magnificat secundi toni: Chant verse 11-12, "Gloria patri minor"
- Tertius Versus Auff 2 Clavir a 4
- Quartus Versus a 6
- Versus 2 a 2 Clav. e Ped
- Tertius Versus a 3
- Sonata in G major
- Wie liegt die Stadt so wüste
- Toccata in E Minor
- Primus Versus a 4
- Sonata à 4 (instrumental)
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- Canzon IX
- Sextus Versus a 5 Im vollen Werck
- Gegrüsset seist du, Holdselige
- Toccata IV
- Toccata in A Minor
- Canzon (in C)
- Fantasia Ex D
- Tertius Versus
- Gelobet seystu Jesu Christ: II. Secundus Versu
- Praeambulum Primi toni a 5
- Secundus Versus a 4 Auff 2 Clavir
- Weine nicht
- Sonata in D Major a 4 (No.1)
- Sonata a 4 No. 2
- Canzon (III) in D Minor
- Secundus Versus Mannualiter Canon in Hyperdiapente post minimam
- Toccata in D minor
- Rex virtutum
- Canzon in C Major
- Canzon in D Minor
- Der Tod ist verschlungen
- Trio Sonata in G Major
- Toccata ex D
- Gregrüsset seist du, Holdselige (Dialogus)
- Canzon in C Minor
- Zion spricht
- V. Gigue
- Canzon II
- Sonata in D Major a 4 (No. 2)
- Toccata vel praeludium in D minor
- Fuga ex D ped Primi Toni
- Weckmann: Es ist das Heyl uns kommen Herr: Quintus versus a 3 Pedaliter. Canon in disdiapente post semiminimam
- Canzon (in D minor)
- Primus Versus a 5 Voc Im vollen Werck
- Canzon (in C minor, transposed into D minor)
- Quartus Versus a 3 Pedaliter Canon in subdiapason post Semininimam
- Sonata a 4 No. 1
- Toccata vel praeludim, Primi Toni in D minor
- Gegrüssest seist du
- Fantasia Ex D in D minor
- Kommet her zu mir
- Weine nicht, es hat überwunden
- Primus Versus
- Sonata D-Dur a 4 (No. 2)
- Tocccata Dal 12 Tuono (in C)
- Magnificat II ton
- Canzon
- Canzon in G Major
- Primus Versus a 5 Im vollen Werck
- Toccata dal 12 Tuono in C major
- Kommet her zu mir alle
- Sonata quinta à 4
- Secundus Versus Auff 2 Clavir
- Tertius Versus a 4 Voc
- Canzon Dall istesso Tuono (In C)
- Partita in A Minor
- Es erhub sich ein Streit
- Toccata III
- Primus Versus a 5
- Quartus Versus a 3
- Quintus Versus Auff 2 Clavier
- Quintus Versus a 3 Pedal(iter) Canon in disdiapente post semiminimam
- Sonata à 3 in G major
- Magnificat Secundi Toni: Primus Versus A 5
- Praembulum Primi toni a 5
- Quartus Versus: Manualitem (1. Variatio)-2. Variatio-3. Variatio a 3 Voc. Canon in Hypodiaposon...
- Versus 3 a 2 Clav.
- Canzon in C
- Secundus Versus a 4 Choral in Cantu manualiter vel si placet pedaliter
- Canzon (in G)
- Sextus Versus Auff 2 Clavier
- Tertius Versus Auff 2 Clav.
- Gegrüßet seist Du, Holdselige
- Magnificat secundi toni: Tertius Versus
- Magnificat Secundi Toni: Secundus Versus A 4 Auff 2 Clavir
- Praeludium a 5
- Tertius Versus A 3 Voc
- Canzon Dall istesso Tuono in C Major
- Sonata prima à 4
- Loblied auf Herrn Schuppen
- Magnificat secundi toni: Quartus Versus
- Gegrusset seist du, Holdselige
- Wenn der Herr die Gefangenen (Ps. 126)
- Zion spricht, der Herr hat mich verlassen
- Partita in C minor
- Canzon No. 5 in G major
- Wenn der Herr die Gefangenen zu Zion
- Partita in B Minor: I. Praeludium
- Toccata in D Major
- Gelobet seystu Jesu Christ I: Primus Versus a 4
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