Kevin Puts
About the artist
Puts studied composition and piano at the Eastman School of Music and Yale University, earning the Doctor of Musical Arts degree from Eastman. Among his teachers were Samuel Adler, Jacob Druckman, David Lang, Christopher Rouse, Joseph Schwantner, Martin Bresnick, and, in piano, Nelita True. He also studied at the Tanglewood Music Festival with William Bolcom and Bernard Rands. He is composer-in-residence at the Fort Worth Symphony and has received a commission from the Aspen Music Festival.
Top songs
- If I Were a Swan
- Contact: I. The Call
- Contact: II. Codes. Scherzo
- Marimba Concerto: III. With Energy
- Evening
- Contact: III. Contact
- Contact: IV. Convivium
- Marimba Concerto: I. Flowing
- Marimba Concerto: II. Broad and Deliberate
- Puts: The Hours, Act 2: "All Along?" (Clarissa, Laura, Virginia) [Live]
Show all 100 songs
- Emily — No Prisoner Be: No. 7, Because I could not stop for Death
- Aria
- Emily — No Prisoner Be: No. 23, There is another sky
- Emily — No Prisoner Be: No. 1, They shut me up
- Puts: The Hours, Act 1: Prologue. "Flowers... Flowers" (Chorus) [Live]
- Home: Home
- Puts: The Hours, Act 1: "Here on This Corner" (Clarissa) [Live]
- Home: Warm, with rubato
- Emily — No Prisoner Be: No. 3, The Soul selects her own Society
- Puts: The Hours, Act 1: "Platters! - What’s That, Babe?" (Clarissa, Sally, Chorus) [Live]
- Charm
- Concerto for Orchestra: IV. Toccata
- The City
- Symphony No. 2
- Emily — No Prisoner Be: No. 19, Her Face
- Puts: The Hours, Act 1: "She Pauses at Its Threshold…" (Chorus, Clarissa, Man Under the Arch, Walter, Virginia) [Live]
- Home: Faster, refreshed
- Emily — No Prisoner Be: No. 2, I was the slightest in the House —
- Puts: The Hours, Act 1: "Go Slowly. Ignore Your Novel" (Virginia, Clarissa, Chorus, Leonard) [Live]
- Emily — No Prisoner Be: No. 26, No Prisoner Be
- Elegy for Brass
- Puts: The Hours, Act 1: "There's the Scowl" (Virginia, Leonard, Chorus) [Live]
- Puts: The Hours, Act 1: "Clarissa! - Barbara!" (Barbara, Clarissa, Chorus, Virginia, Leonard) [Live]
- To Touch the Sky: To Touch the Sky: I. Annunciation (Magnificat)
- Home: Dangerously fast
- Symphony No. 4, From Mission San Juan: I. Prelude: Mission San Juan Bautista, ca.1800
- Flute Concerto: I. With great sincerity and affection; flexible, with motion
- Puts: The Hours, Act 1: "Richmond… She Opens the Curtains" (Virginia, Chorus, Man Under the Arch) [Live]
- Canyon: I. Toccata
- To Touch the Sky: III. The Fruit of Silence
- To Touch the Sky: To Touch the Sky: III. The Fruit of Silence
- Emily — No Prisoner Be: No. 5, Interlude No. 1
- Oboe Concerto No. 2 "Moonlight": I. Moonlight
- To Touch the Sky: I. Annunciation (Magnificat)
- Emily — No Prisoner Be: No. 8, A Bee I personally knew (Scherzo No. 1)
- To Touch the Sky: To Touch the Sky: IV. Falling Snow
- To Touch the Sky: II. Unbreakable
- Emily — No Prisoner Be: No. 6, I dwell in Possibility
- Emily — No Prisoner Be: No. 4, Again — his voice is at the door
- To Touch the Sky: IV. Falling Snow
- Evergreen: Evergreen
- Puts: The Hours, Act 2: "Heaven? Somebody Else’s Heaven?" (Chorus, Laura, Hotel Clerk) [Live]
- Emily — No Prisoner Be: No. 10, I reason, Earth is short
- To Touch the Sky: To Touch the Sky: II. Unbreakable
- Puts: The Hours, Act 1: "Missus Dalloway Said She Would Buy the Flowers Herself" (Laura, Virginia, Chorus, Dan, Richie) [Live]
- Puts: The Hours, Act 2: "Did It Matter Then, She Asked Herself" (Laura, Virginia) [Live]
- To Touch the Sky: V. At Castle Wood
- Oboe Concerto No. 2 "Moonlight": III. Air (The Eye Begins to See)
- Puts: The Hours, Act 1: "Oh Dan. Roses? On Your Birthday?" (Laura, Dan, Richie, Chorus) [Live]
- Silent Night, Act I Prologue: Ogni notte (Live)
- To Touch the Sky: To Touch the Sky: V. At Castle Wood
- Oboe Concerto No. 2 "Moonlight": II. Folly
- Dark Vigil: Dark Vigil
- Symphony No. 4, From Mission San Juan: IV. Healing Song
- Emily — No Prisoner Be: No. 9, I Felt a Funeral
- Emily — No Prisoner Be: No. 25, If I can stop one Heart from breaking (on Praetorius "Lo, How a Rose E'er Blooming")
- To Touch the Sky: VII. Who has seen the wind?
- To Touch the Sky: IX. Most noble evergreen
- Emily — No Prisoner Be: No. 13, "Hope" is the thing
- Puts: The Hours, Act 1: "You Know What We’re Going to Do?" (Laura, Virginia, Richie, Clarissa) [Live]
- Millennium Canons (arr. M. Spede)
- To Touch the Sky: VI. Epitaph
- To Touch the Sky: VIII. With my two arms
- Symphony No. 4, From Mission San Juan: III. Interlude
- I. Flowing
- Symphony No. 4, From Mission San Juan: II. Arriquetpon (the diary of Francisco Arroyo de la Cuesta, 1818)
- Symphony No. 4, From Mission San Juan: Symphony No. 4, From Mission San Juan: II. Arriquetpon (the diary of Francisco Arroyo de la Cuesta, 1818)
- Emily — No Prisoner Be: No. 11, A little Snow
- Emily — No Prisoner Be: No. 18, So set its Sun in Thee
- To Touch the Sky: To Touch the Sky: IX. Most noble evergreen
- To Touch the Sky: To Touch the Sky: VI. Epitaph
- To Touch the Sky: To Touch the Sky: VII. Who has seen the wind?
- River's Rush
- Symphony No. 4, From Mission San Juan: Symphony No. 4, From Mission San Juan: I. Prelude: Mission San Juan Bautista, ca.1800
- Silent Night, Act I Scene 2: Sleep (Live)
- Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl
- Flute Concerto: III. Very fast, with tremendous energy
- Emily — No Prisoner Be: No. 21, His Feet are shod with Gauze (Bee Scherzo No. 3)
- Concerto for Orchestra: I. Hymn for the Hurting
- Concerto for Orchestra: V. Sicilienne
- Emily — No Prisoner Be: No. 22, Wild Nights!
- Emily — No Prisoner Be: No. 14, Interlude No. 2
- Concerto for Orchestra: VI. Ecco la Marcia? (Caccia No. 2)
- Concerto for Orchestra: III. Music Box with Arietta
- Canyon: II. Cadence
- Flute Concerto: II. Andante
- To Touch the Sky: To Touch the Sky: VIII. With my two arms
- Emily — No Prisoner Be: No. 16, There is a solitude of space
- Symphony No. 4, From Mission San Juan: Symphony No. 4, From Mission San Juan: IV. Healing Song
- Silent Night, Act I Prologue: Jonathan! (Live)
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