Jerry Portnoy
About the artist
Jerry Portnoy was born in Chicago in 1943 and brought up in the vicinity of the Maxwell Street market, where his father owned a rug store. There, among the haggling customers and traders, many of the original blues players who had drifted to Chicago from the south would set up and play for whatever loose change was dropped at their feet. Even so, it was only at the age of 25, and after failed attempts to master several other instruments, that Portnoy discovered his aptitude for playing the harmonica.
Top songs
- Lullaby of Birdland
- So Slow
- Doodlin'
- Once Too Often
- Mood Room Boogie
- Canadian Sunset
- Lazy
- Endless Road
- Stormy Weather
- Sentimental Journey
Show all 100 songs
- Money
- Jug Band Waltz
- You Rascal You
- Blues In A Dream
- Home Run Hitter
- Shoulda Coulda Woulda
- Lookin' For My Baby
- Holding the Harmonica
- Misty
- Introduction
- She Makes Me
- Real Gone Guy
- you're so smart
- Poison Kisses
- Chord Rhythm
- Changeover Scale
- Runnin' With The Blues
- I Realize
- Tongue Blocking
- E March
- E shuffle
- Can't Remember To Forget
- One Chance
- E March With Harp
- A Blues with Harp
- Simple Songs
- Charge It
- Syncopating Chords
- Lip Blocking
- E Shuffle With Harp
- E Blues With Harp
- Boogies - 3 Positions
- B Shuffle
- A Shuffle with Harp
- B Minor Blues With Harp
- Bends with Syncopating Chords
- Back Rhythm
- Pursed Lips
- Upper Register Blow Bends
- Octaves
- Growls
- Kiss Pops
- Bending Exercises
- Intro to Bending Notes
- Shakin' the Shack
- A Blues
- Draw Octaves
- E Blues
- Chord Rythm
- Barks
- Positions
- A March with Harp
- Vibrato
- 2 Draw vs. 3 Blow
- Use of Hands
- B Shuffle with Harp
- Flutters
- Turnaround Figure
- Transitions
- Warbles
- B March with Harp
- Intro to Special Effects
- Black Tear Drops
- Bar Structure
- B Minor Blues
- Special Chords
- Shaping Notes
- B March
- Bending Techniques
- Back Rythm
- Tounge Blocking
- Breathing & Diaphragm Attack
- Muddy's Shuffle
- Bending Technique
- Closing Remarks
- Into To Bending Notes
- Rips and Glisses
- 12 Bar Structure
- A Harp
- A March
- Lookin´ for my baby
- Breathing and Diaphragm Attack
- "Saints" - 5 Positions
- Shoulda Woulda Coulda
- 2 Draw Vs 3 Blow
- Into To Special Effects
- Tongue Switching
- Blues for Big Nate
- Saints - 5 Positions
- Mics, Amps & Playing With A Band
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