Frank Denyer
About the artist
Frank Denyer (born London, April 12 1943) is a British composer. His music uses a combination of conventional instruments and new, unusual, and structurally modified instruments. Partly due to his studies of non-Western music, much of Denyer's music is microtonal. Denyer was a chorister at Canterbury Cathedral and later studied at the Guildhall in London. In 1966 he co-founded, and was director of, the Society of Hermes, an arts club for new music, painting, poetry and theatre in Shepherds Bush, London.
Top songs
- Towards the darkness
- Beneath the Fired City
- The Hanged Fiddler
- Quick, Quick, the Tamberan is Coming
- Prison Song
- Resonances of Ancient Sins
- On, On - It Must Be So
- Quite White
- Unnamed
- Wheat II
Show all 100 songs
- Wheat VI
- Wheat III
- Wheat V
- Wheat IV
- Wheat I
- Two Beacons
- Woman with Jinashi Shakuhachi
- Two Voices with Axe
- Play
- Tentative Thoughts, Silenced Voices
- A Woman Singing
- Riverine Delusions
- Towards the Darkness (1988-89)
- Frog I
- Quartet
- Mother, Child and Violin
- Ghosts Again
- Finding Refuge in the Remains
- Beneath the Fired City (1994-95)
- Quick, Quick, the Tamberan is Coming (1973)
- The Hanged Fiddler (1972-73)
- Out Of The Shattered Shadows 1
- The Tender Sadness Of Tyrants As They Dance
- Resonances of Ancient Sins (1994)
- Contained In A Strange Garden
- Whispers
- Woman, Viola and Crow
- Out Of The Shattered Shadows 2
- Prison Song (1999-2000)
- Beyond the Boundaries of Intimacy
- String Quartet
- Towards the Darkness 1988-89
- one-note melody (bamboo flute)
- Woman, Viola & Crow
- Passages
- one-note melody (flute & membrane)
- 1st interlude (2 percussionists & 2 voices)
- The Fish that became the Sun - part 2
- Frog II
- Faint Traces
- one-note melody (French horn & stones)
- two-note melody (voice, sneh & bamboo switch)
- two-note melody (voice)
- two-note melody (double bass, drum & guiro)
- four-note melody (viola)
- five-note melody (double basses & tuba)
- seven-note melody (string quartet, box & bell)
- Resonances Of Ancient Sins 19. . .
- 2nd interlude (boxes & bell)
- eight-note melody (double bass & drum)
- eleven-note melody (voice, viola, flute, cimbalom, drum)
- twelve-note melody (cello & percussion)
- 4th interlude (double bass, bass flute, tuba, percussion)
- thirteen-note melody (viola, voice & percussion)
- fourteen-note melody & fifteen-note epilogue (string quartet & percussion)
- The Fish that became the Sun - part 1
- The Fish that became the Sun - part 3
- Archaeology
- The Fish that became the Sun - part 4
- The Fish that became the Sun - part 12
- The Fish that became the Sun - part 13
- three-note melody (voice)
- four-note melody (voice)
- six-note melody (voice, sneh, flute, horn, percussion)
- nine-note melody (viola & voice)
- The Fish that became the Sun - part 7
- The Fish that became the Sun - part 9
- The Fish that became the Sun - part 10
- The Fish that became the Sun - part 11
- The Fish that became the Sun - part 5
- The Fish that became the Sun - part 6
- The Fish that became the Sun - part 14
- Quiet White
- Piece for koto - version 1
- three-note melody (sneh, baroque traverso, santur)
- five-note melody (voice & steel plates)
- 3rd interlude (voices)
- ten-note melody (violin & voice)
- Frog - movement 1
- The Fish that became the Sun - part 8
- Wheat (Part I)
- Wheat (Part II)
- Quick, Quick, the Tamberan Is Coming 1973
- Wheat (Part III)
- Wheat (Part VI)
- Frog - movement 2
- Intersection III
- Piece for koto - version 2
- Beneath the Fired City 1994-95
- After The Rain
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