Franck Bedrossian
About the artist
After initial studies in orchestration, and analysis at the Regional Conservatory of Paris, Franck Bedrossian studied composition closely with Allain Gaussin. He continued his studies at the Paris Conservatory (seminars with Gerard Grisey and later Marco Stroppa), where upon graduation he received unanimously the first prize for Analysis, and the first prize in Composition. In 2002–2003 he was in the IRCAM ‘cursus’ for computer music and composition, taught by Philippe Leroux, Brian Ferneyhough, Tristan Murail, and Philippe Manoury.
Top songs
- It
- La solitude du coureur de fond
- Propaganda
- Tracés d'ombres
- Bossa Nova
- Manifesto
- Transmission für Fagott und Live-Elektronik
- Twist
- It (2004-2007)
- Twist for orchestra and electronics
Show all 99 songs
- Propaganda (2008)
- La Solitude du coureur de fond (2000)
- Manifesto (2008)
- Twist (2016) For Orchestra And Electronics
- Swing
- The Spider as an artist
- Bossa Nova (2008)
- Tracés d'ombres (2005-2007)
- Edges for piano and percussion
- Charleston
- Digital
- Transmission
- Itself: I. —
- Epigram (2010-2018): I, Dedicated to Donatienne Michel-Dansac
- Charleston, pour 15 musiciens (2005-2007)
- Epigram: I
- Epigram: II
- Edges (2010) for piano and percussion
- L'Usage De La Parole, pour clarinette, violoncelle et piano (1999)
- L'Usage De La Parole
- Digital, pour contrebasse, percussion et electronique (2003)
- La Solitude Du Courreur De Fond, pour saxophone alto (2000)
- Tracés d’Ombres pour quatuor à cordes (2007): I. Fantomatique
- Edges
- Transmission, pour basson et electronique (2002)
- Epigram: III
- Tracés d’Ombres pour quatuor à cordes (2007): II. Extrêmement lent et désolé
- Epigram II
- La Solitude Du Courreur De Fond
- Tracés d’Ombres pour quatuor à cordes (2007): III. Violent, contrasté
- Itself: II. —
- Epigram I
- Epigram (2010-2018): II, Dedicated to François and Jean-Philippe Billarant
- Epigram (2010-2018): III, Dedicated to Annie Clair
- Epigram III
- Swirl
- It (2004-07)
- Twist for orchestra and electronics (2016)
- Swing (2009) for eleven instruments
- Le Lieu et la Formule
- La conspiration du silence (2001-2003) for 35 instruments
- L'usage de la parole (1999) for clarinet, cello and piano
- 5 Transmission
- Tracés d'ombres (2005-07)
- Tracés d'ombres (2007) for string quartet
- Franck Bedrossian - Swing (2009)
- Vayehi erev vayehi boker (2017) for ensemble [Excerpt]
- Swing (2009)
- Feu sur moi for 24-part choir and electronics
- Franck Bedrossian - Swing for 11 Instruments
- Division (2006) for ensemble and electronics
- Traces d'ombres
- Lamento - Pour voix de femme et dispositif électronique
- Feu sur moi (2023/24)
- edges (2010) pour piano et percussion
- itself
- Bossa Nova, for Accordion
- Itself (2012) for orchestra
- Twist, for orchestra and electronics
- Itself - I
- Itself: II
- Itself: I
- Itself - II
- Don Quixote Concerto (2021) for a pianist, his assistant and a chamber orchestra
- Manifesto (2008) for 8 wind instruments
- It (2004/07) for 7 instruments
- Création а quatre mains III
- De la monstruosité, de l'oeil à l'oreille
- Franck Bedrossian - Charleston - ens - 2005
- Franck Bedrossian - Digital - cb-perc-elec - 2003
- Franck Bedrossian - [? #01] Edges - pf-perc - 2010
- Franck Bedrossian - [? #05] Epigram (5 poèmes d'Emily Dickinson) - S-ens - 2010
- Franck Bedrossian - La solitude du courreur de fond - Asax - 2000
- Franck Bedrossian - L'usage de la parole - cl-vc-pf - 1999
- Franck Bedrossian - Pointe sèche
- Franck Bedrossian - Swing - 11insts - 2009
- Franck Bedrossian - Tracés d'ombres - st qt - 2005
- La Solitude Du Coureur De Fond, pour saxophone alto (2000)
- Propaganda (2008) for saxophone quartet & electronics
- Epigram - I.
- Epigram - II.
- Epigram - III.
- Digital (2003) for double bass, percussion and electronics
- Franck Bedrossian - Transmission - bsn-elec - 2002
- Digital, pour contrebasse, percussion et électronique
- I Lost A World The Other Day (For String Quartet & Accordion; excerpt)
- Tracés d’Ombres: III. Violent, contrasté
- Tracés d’Ombres: II. Extrêmement lent et désolé
- Tracés d’Ombres: I. Fantomatique
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