Dorothee Mields
About the artist
Dorothee Mields (born 1971) is a German soprano concert singer of Baroque and contemporary music. Mields was born in Gelsenkirchen. She studied at the University of the Arts Bremen with Elke Holzmann, Harry van der Kamp and Gabriele Schreckenbach. After graduation she continued studying in Stuttgart with Julia Hamari. More on http://en.wikipedia.org/wiki/Dorothee_Mields
Top songs
- Ode for St. Cecilia's Day, HWV 76: March
- Madrigali, Op. 1, Book I: No. 13, L'amante modesto "Volano frettolosi i giorni e presto"
- Madrigali, Op. 1, Book I: No. 1, Sonetto proemio dell'opera "Mercé di voi, mia fortunata stella"
- Bedlam Boys [17th Century]
- Diporti di Euterpe, Op. 7: No. 4, Lagrime mie, lamento
- Madrigali, Op. 1, Book I: No. 18, Al battitor di bronzo della sua crudellissima dama "Quante volte ti bacio, o bronzo amato"
- Cantate e ariette, Op. 3: No. 9, Begli occhi
- From silent shades, and the Elysian groves, Z. 370, "Bess of Bedlam"
- An Wasserflüssen Babylon
- The Willow Song: The Willow Song [16th Century]
Show all 100 songs
- Aus der Tiefen rud ich, Herr, zu Dir - Cantata
- Sweeter Than Roses
- Maria durch ein Dornwald ging
- Meine Seele verlanget nach deinem Heil, SWV 487
- But Ah!
- Come All To Me
- Cantate, ariette e duetti, Op. 2: No. 14, L'eraclito amoroso
- Cantate, ariette e duetti, Op. 2: No. 16, L'amante segreto
- Ode for St. Cecilia's Day, HWV 76: Overture
- 'Tis women makes us love
- O solitude, my sweetest choice, Z. 406
- Fließen nichts als bitt're Tränen (from Janus, TVWV 22:7)
- Madrigali, Op. 1, Book I: No. 9, Godere e tacere "Gioisca al gioir nostro e l'aura e l'onda"
- Curtain Tune On A Ground (Timon Of Athens)
- Vernunft, Geduldt und Zeit (from Nebucadnezar TVWV 22:6)
- If Music Be The Food Of Love
- For Love Ev’ry Creature (King Arthur)
- Overture (Timon Of Athens)
- Hark! How The Songsters (Timon Of Athens)
- Hornpipe (King Arthur)
- I Love And I Must
- Love In Their Little Veins Inspires (Timon Of Athens)
- First Music (The History Of Dioclesian)
- The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Dance of Bacchanals
- John Come Kiss Me Now
- Diporti di Euterpe, Op. 7: No. 9, Tradimento
- 3 Parts upon a Ground in F major, Z. 731
- Die Hoffnung des Wiedersehens - Cantata, TWV 20:70: III. Kehre wieder, mein Vergnügen
- Dance (The History Of Dioclesian)
- One Charming Night (The Fairy Queen)
- Entrance Of Night (The Fairy Queen)
- Hush, No More (The Fairy Queen)
- The Prophetess, Z. 627, "The History of Dioclesian": Act V: Masque: Oh, the sweet delights of love!
- Quillt, ihr überhäuften Zähren (from Almira, TVWV 22:13)
- Weine nur, gkränkte Seele (from Richardus I., TVWV 22:8)
- Cantate, ariette e duetti, Op. 2: No. 3, Il Romeo
- Ariette a voce sola, Op. 6: No. 17, Sospira, respira
- The Richmond Heiress, or A Woman Once in the Right, Z. 608: The Richmond Heiress, or A Woman Once in the Right, Z. 608: Then mad, very mad let us be
- A Forsaken Lover's Complaint
- Chaconne (The History Of Dioclesian)
- Ye Gentle Spirits Of The Air (The Fairy Queen)
- Prelude (The History Of Dioclesian)
- Since From My Dear (The History Of Dioclesian)
- If Love’s A Sweet Passion (The Fairy Queen)
- O Let Me Weep (The Fairy Queen)
- The Cares Of Lovers (Timon Of Athens)
- Man Is For The Woman Made
- Chaconne (The Fairy Queen)
- Let Us Dance (The History Of Dioclesian)
- Borée (King Arthur)
- Butterfly Dance (The History Of Dioclesian)
- Hark! The Echoing Air (The Fairy Queen)
- Dido and Aeneas, Z. 626: Dido and Aeneas, Z. 626, Act I: The Triumphing Dance
- Dido and Aeneas, Z. 626: Act III: When I am laid in earth, "Dido's Lament"
- Bonduca, Z. 574, "The British Heroine": Bonduca, Z. 574, "The British Heroine": No. 13. Sing, sing, ye Druids
- Stirbt mein Geist durch dein Verlangen (from Nebucadnezar TVWV 22:6)
- Puer natus in Bethlehem
- Cantate e ariette, Op. 3: No. 2, Moralità amorosa
- Dido and Aeneas, Z. 626: Dido and Aeneas, Z. 626, Act II: Oft she visits this lone mountain
- Die Hoffnung des Wiedersehens - Cantata, TWV 20:70: I. Süße Hoffnung, wenn ich frage
- Die Hoffnung des Wiedersehens - Cantata, TWV 20:70: V. Bald, bald hoff' ich zu sehen
- Mein Vergnügen wird sich fügen, TVWV 20:18 (from Sechs Kantaten nach verschiedenen Dichtungen)
- A Fool's Preferment, Z. 571: A Fool's Preferment, Z. 571: No. 6. I'll sail upon the Dog-star
- Wie schön leuchtet der Morgenstern
- Kannst du wohl was an mir finden (from Omphale, TVWV 21:14)
- Jesu, meine Freude
- Die Hoffnung des Wiedersehens - Cantata, TWV 20:70: II. Mein Herz verging in tausend Sorgen (Rec.)
- Die Hoffnung des Wiedersehens - Cantata, TWV 20:70: IV. Ja, ja! Ich sehe schon die Sonne meiner Lust (Rec.)
- Fantasia a 5 in F major, Z. 745, "Upon 1 Note": Fantasia a 5 in F, Z. 745, "Upon 1 Note"
- Bonduca, Z. 574, "The British Heroine": Bonduca, Z. 574, "The British Heroine": No. 10. Jack, thou'rt a toper
- Distress'd Innocence, Z. 577: Distress'd Innocence, Z. 577: VI. Rondeau
- Genug, genug geklaget (from Richardus I., TVWV 22:8)
- Full fathom five
- Sie werden euch in den Bann tun, BWV 44: VI. Aria: Es ist und bleibt der Christen Trost (Soprano)
- The Beggar's Opera: The Beggar's Opera, Act I: Grim King of the Ghosts
- Sonata à 3 in D minor
- Sophonisba, Z. 590: Sophonisba, Z. 590: Beneath a poplar's shadow
- Infelix ego
- Cantate e ariette, Op. 3: No. 1, Cuore che reprime alla lingua di manifestare il nome della sua cara
- Madrigali, Op. 1, Book I: No. 10, Libertà "Non ci lusinghi più"
- Galliard Battaglia à 5, SSWV 59
- Nun komm der Heiden Heiland
- Es steh Gott auf, SWV 356
- Madrigali, Op. 1, Book I: No. 6, Silentio nocivo "Dolcissimi respiri"
- Madrigali, Op. 1, Book I: No. 21, Dal pianto de gli amanti scherniti "Mordeva un bianco lino Aci dolente"
- Exsultate Jubilate, K. 165: IV. (Allegro): Allelujah
- Ach Herr, lass Dein lieb Engelein
- Ach bittrer Winter
- Aria for Five Voices: Komm, Jesu, komm
- Susanne un jour
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