Carolyn Sampson

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Orfeo, Prologue: Ritornello
O holder Tag, erwunschte Zeit, BWV 210, "Wedding Cantata": Aria: Ruhet hie, matte Tone (Soprano)
Orfeo, Atto Primo: 'Muse honor di Parnasso (Ninfa
Orfeo, Atto Primo: 'Che poi che nembro rio gravido il seno'/Ritornello
Orfeo, Atto Secondo: Ritornello
Mass in B Minor, BWV 232: Kyrie: Kyrie eleison (Chorus)
Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto)
Orfeo, Atto Quinto: Ritornello
Alles mit Gott und nichts ohn´ ihn, BWV 1127: Verse 10: Alles mit Gott und nichts ohn' ihn wird einher neuen Segen ziehn
Mass in B Minor, BWV 232: Gloria: Laudamus te (Soprano II)

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St. Matthew Passion, BWV 244, Pt. 2: No. 49, Aus Liebe will mein Heiland sterben
Mass in B Minor, BWV 232: Gloria: Et in terra pax (Chorus)
Mass in B Minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus)
Mass in B Minor, BWV 232: Kyrie: Christe eleison (Soprano I and II)
St. Matthew Passion, BWV 244, Pt. 1: No. 13, Ich will dir mein Herze schenken
Mass in B Minor, BWV 232: Gloria: Gratias agimus tibi (Chorus)
Mass in B Minor, BWV 232: Gloria: Domine Deus, Rex coelestis (Soprano I and Tenor)
Mass in B Minor, BWV 232: Gloria: Qui sedes ad dextram Patris (Alto)
If music be the food of love
If Music be the Food of Love, Z. 379
Mass in B Minor, BWV 232: Gloria: Qui tollis peccata mundi (Chorus)
Mass in B Minor, BWV 232: Gloria: Cum Sancto Spiritu (Chorus)
The fatal hour comes on apace, Z. 421
Mass in B Minor, BWV 232: Credo: Credo in unum Deum (Chorus)
Mass in B Minor, BWV 232: Credo: Et resurrexit tertia die (Chorus)
Prologue: Symphony
No. 3c, 3 Bourrées. Obal, din lou Limouzi
Mass in B Minor, BWV 232: Credo: Crucifixus etiam pro nobis (Chorus)
O holder Tag, erwunschte Zeit, BWV 210, "Wedding Cantata": Aria: Spielet, ihr beseelten Lieder (Soprano)
Mass in B Minor, BWV 232: Gloria: Quoniam tu solus sanctus (Bass)
Weichet nur, betrübte Schatten, BWV 202: I. Aria "Weichet nur, betrübte Schatten"
Mass in B Minor, BWV 232: Credo: Et in Spiritum Sanctum (Bass)
Mass in B Minor, BWV 232: Credo: Confiteor unum baptisma (Chorus a cappella)
When First Amintas Sued for a Kiss, Z. 430
Mass in B Minor, BWV 232: Credo: Et incarnatus est (Chorus)
Mass in B Minor, BWV 232: Credo: Et exspecto resurrectionem mortuorum (Chorus)
Mass in B Minor, BWV 232: Credo: Patrem omnipotentem (Chorus)
Mass in B Minor, BWV 232: Credo: Et in unum Dominum Jesum Christum (Soprano I and Alto)
Mass in B Minor, BWV 232: Sanctus: Sanctus Dominus Deus Sabaoth (Chorus)
I. Aria "Weichet nur, betrübte Schatten"
No. 3, Montan und Lalage
No. 1, La pastoura als camps
Mass in B Minor, BWV 232: Agnus Dei: Dona nobis pacem (Chorus)
Mass in B Minor, BWV 232: Osanna: Osanna in excelsis (Chorus)
Sehnsucht, D. 879
III. Aria "Phoebus eilt mil schnellen Pferden"
Oh! Fair Cedaria, hide those eyes, Z. 402
An den Schlaf
Gretchen am Spinnrade, Op. 2, D. 118
An die Musik, D. 547
Mass in B Minor, BWV 232: Benedictus: Benedictus qui venit (Tenor)
Mein Herze schwimmt im Blut, BWV 199: VIII. Aria "Wie freudig ist mein Herz"
I. Recitativo "Mein Herze schwimmt im Blut"
King Arthur, Z. 628, Act V: Fairest Isle
St. Matthew Passion, BWV 244, Pt. 1: No. 27, So ist mein Jesus nun gefangen
Oedipus, Z. 583: Music for a While
Ave Maria, CG 89a (After Bach's BWV 846)
Mass in B Minor, BWV 232: Benedictus: Osanna in excelsis (Chorus)
O solitude, my sweetest choice , Z. 406
Oedipus, King of Thebes, Z. 583: Oedipus, Z. 583: Music for a While
Das Lied der Trennung, K. 519
VIII. Aria "Wie freudig ist mein Herz"
Les Sirenes: Prelude
No. 1, Pastourelle
St. Matthew Passion, BWV 244, Pt. 1: No. 12, Wiewohl mein Herz in Tränen schwimmt
Blondel zu Marien, D. 626
No. 3, Die Liebe sass als Nachtigall
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Kyrie (Chorus, Soprano)
Weichet nur, betrübte Schatten, BWV 202: VII. Aria "Sich üben im Lieben"
Weichet nur, betrübte Schatten, BWV 202: V. Aria "Wenn die Frühlingslüfte streichen"
Weichet nur, betrübte Schatten, BWV 202: VI. Recitativo "Und dieses ist das Glücke"
Felice te, che possessor sarai
IX. Gavotte Sehet in Zufriedenheit
Abendempfindung, K. 523
Mein Herze schwimmt im Blut, BWV 199: I. Recitativo "Mein Herze schwimmt im Blut"
V. Aria "Wenn die Frühlingslüfte streichen"
Purcell - 6 Duets: No. 1. Sound the trumpet (Z. 323/3)
Ich habe genug, BWV 82: Recitative: Ich habe genug! Mein Trost ist nur allein (Soprano)
Pausanius, the Betrayer of his Country, Z. 585: Sweeter than roses
Now that the sun hath veiled his light, Z. 193, "An Evening Hymn on a Ground"
Mein Herze schwimmt im Blut, BWV 199: II. Aria "Stumme Seufzer, stille Klagen"
J.S. Bach: Christmas Oratorio, BWV 248 / Part Six - For the Feast of Epiphany - No.56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen"
Weichet nur, betrübte Schatten, BWV 202: IX. Gavotte Sehet in Zufriedenheit
I. Sinfonia
Weichet nur, betrübte Schatten, BWV 202: IV. Recitativo "Drum sucht auch Amor sein Vergnügen"
No. 2, Baïlèro
No. 6, O Lust, o Lust
Introit: Requiem aeternam (Chorus)
Sweeter than roses
Tell me, some pitying angel, Z. 196, "The Blessed Virgin's Expostulation"
VII. Aria "Sich üben im Lieben"
Mass in C Minor, K. 427 "Great Mass" (Completed by F. Beyer): Kyrie
Pausanius, the Betrayer of his Country, Z. 585: Pausanius, the Betrayer of his Country, Z. 585: Sweeter than roses
Weichet nur, betrübte Schatten, BWV 202: III. Aria "Phoebus eilt mil schnellen Pferden"
An Chloe, K. 524
II. Aria "Tritt auf die Glaubensbahn" (bass)
Tritt auf die Glaubensbahn, BWV 152: IV. Aria "Stein, der über alle Schätze" (soprano)
The Fairy Queen, Z. 629, Act V: The Plaint: O let me weep
Purcell - 7 Songs: No. 4. Music for a while (Z. 583/2)
Ad genua

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