Camilla Tilling
About the artist
Camilla Tilling studied at the Högskolan för scen och musik in Göteborg (1997–98) and at the Royal College of Music in London, where she graduated in 1998 Her opera debut was the role of Olympia in Offenbach's The Tales of Hoffmann in Göteborg in 1997. At the New York City Opera she appeared as Corinna Rossini’s Il viaggio a Reims, in 2002 at Covent Garden as Sophie in Der Rosenkavalier of Richard Strauss, conducted by Simone Young, at the Aix-en-Provence Festival as Susanna with Marc Minkowski
Top songs
- Peer Gynt (incidental music): No. 19 Solveigs sang/Solveig's song (Solveig)
- Dido and Aeneas, ACT 3: Scene 2
- Dido and Aeneas, ACT 1: Scene: The Palast: Shake the Clouds from off your Brow (Belinda)
- Peer Gynt (incidental music): No. 23 Solveig synger I hytten/Solveig sings in the hut (Solveig)
- Peer Gynt (incidental music): No. 26 Solveigs vuggevise/Solveig's Cradle song (Solveig/Choir)
- Dido and Aeneas, ACT 1: Scene: The Palast: Grief increases by concealing (Belinda-Dido)
- Dido and Aeneas, ACT 1: Scene: The Palast: Whence could so much virtue spring? (Dido-Belinda)
- Dido and Aeneas, ACT 1: Scene: The Palast: Fear no danger to ensue (Belinda-Second Woman-Chorus)
- Dido and Aeneas, ACT 2, Scene 2: The Grove: Thanks to these lonesome vales (Belinda-Chorus)
- Dido and Aeneas, ACT 2, Scene 2: The Grove: Haste, haste to town (Belinda-Chorus)
Show all 100 songs
- 6 Orchestral Songs, EG 177: No. 2. Peer Gynt, Op. 23, Act V: Solveigs vuggevise (Solveig's Cradle Song)
- Dido and Aeneas, ACT 1: Scene: The Palast: See, your Royal Guest appears (Belinda-Aeneas-Dido)
- Dido and Aeneas, ACT 1: Scene: The Palast: If not for mine, for Empire's sake (Aeneas-Belinda)
- Dido and Aeneas, ACT 3, Scene 2: Your Counsel all is urg'd in vain (Dido-Belinda-Aeneas)
- No. 19 Solveigs sang/Solveig's song (Solveig)
- IV. Wie lieblich sind deine Wohnungen
- Theme – Scene 1: the Journey (Governess)
- Variation III – Scene 4: the Tower (Governess)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Accompagnato: Ma che veggio? (Lucifero, Angelo)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Aria: Disserratevi, o porte d'Averno (Angelo)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Recitativo: E ben, questo tuo Nume (Lucifero, Angelo)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Recitativo Chi sei? chi è questo Re Lucifero, Angelo
- Variation V – Scene 6: the Lesson (Miles, Flora, Governess)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Aria: D'amor fu consiglio (Angelo)
- I din närhet
- Alltid hos mig
- Variation VI – Scene 7: the Lake (Flora, Governess, Miles)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Accompagnato: Di rabbia indarno freme (Angelo)
- Rote Rosen, TrV 119
- I. Selig sind, die da Leid tragen
- Variation VIII – Scene 1: Colloquy and Soliloquy (Miss Jessel,Quint,Governess)
- Variation XI – Scene 4: the Bedroom (Miles, Governess, Quint)
- Scene 2
- II. Denn alles Fleisch es ist wie Gras
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Recitativo: Uscite pur, uscite (Angelo)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Aria: Risorga il mondo (Angelo)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Recitativo: Misero! ho pure udito? (Lucifero, Angelo)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Aria: Se per colpa di donna infelice (Angelo)
- No. 6, Sommer
- Mozart: Mass in C minor, K.427 "Grosse Messe" - Edited Maunder - Kyrie
- Schlichte Weisen, Op. 21, TrV 160: No. 2. Du meines Herzens Kronelein
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Prima parte: Coro: Il Nume vincitor (Angelo, Coro)
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Recitativo: Oh come cieco il tuo furor delira! (Angelo, Lucifero)
- Act III: Aria: Che fiero momento
- Oratorio per la Resurrezione di Nostro Signor Gesù Cristo, HWV 47, Seconda parte: Recitativo: Cleofe, siam giunte al luogo (Maddalena, Cleofe, Angelo)
- Dido And Aeneas, Act I: Scene: The Palace: Shake The Cloud From Off Your Brow
- Variation X – Scene 3: Miss Jessel (Governess, Miss Jessel)
- Armide, Wq. 45 : Armide, Wq. 45: Act II: Aria: Quel trouble me saisit?… Ah quelle cruauté…
- Schlichte Weisen, Op. 21, TrV 160: No. 1. All' mein Gedanken, mein Herz und mein Sinn
- VI. Denn wir haben hie keine bleibende Statt
- 4 Lieder, Op. 27, TrV 170 (text by H. Hart): 4 Lieder, Op. 27, TrV 170: No. 2. Cacilie
- Malven (Mallows), TrV 297
- Mozart: Mass in C minor, K.427 "Grosse Messe" - Edited Maunder / Gloria - Domine Deus
- 5 Lieder, Op. 39, TrV 189 (text by O.J. Bierbaum): 5 Lieder, Op. 39, TrV 189: No. 2. Junghexenlied
- Mozart: Mass in C minor, K.427 "Grosse Messe" - Edited Maunder / Gloria - Gratias agimus
- 3 Gesange alterer deutscher Dichter, Op. 43, TrV 196 (text by G.A. Burger): 3 Gesange alterer deutscher Dichter, Op. 43, TrV 196: No. 2. Muttertandelei
- No. 1, Widmung
- Myrthen, Op. 25 : No. 1, Widmung
- Messa Solenne in D minor (per il Principe Esterhazy), Kyrie: Christe eleison - Andante -
- 5 Lieder, Op. 39, TrV 189: No. 1. Leises Lied
- 6 Lieder, Op. 67, TrV 238 (text by W. Shakespeare): No. 1. Wie erkenn' ich mein Treulieb vor andern nun?
- 6 Lieder, Op. 67, TrV 238 (text by W. Shakespeare): No. 3. Sie trugen ihn auf der Bahre bloss
- 5 Lieder, Op. 39, TrV 189 (text by R. Dehmel): 5 Lieder, Op. 39, TrV 189: No. 4. Befreit
- Benedictus
- No. 3, Der Nussbaum
- Messa Solenne in D minor (per il Principe Esterhazy), Gloria: Gloria in excelsis Deo - Allegro
- Messa Solenne in D minor (per il Principe Esterhazy), Gloria: Qui tollis peccata mundi - Andantino largo
- Gratias agimus
- Domine Deus
- No. 23 Solveig synger I hytten/Solveig sings in the hut (Solveig)
- Peer Gynt, Op. 23: Solveig's Song
- 6 Lieder, Op. 67, TrV 238 (text by W. Shakespeare): No. 2. Guten Morgen, 's ist Sankt Valentinstag
- Dido And Aeneas, Act II: Scene 2: The Grove: Thanks To These Lonesome Vales
- Mozart: Mass in C minor, K.427 "Grosse Messe" - Edited Maunder / Gloria - Jesu Christe
- Mozart: Mass in C minor, K.427 "Grosse Messe" - Edited Maunder - Benedictus
- III. Herr, lehre doch mich
- Marias vaggsang
- Myrthen, Op. 25: No. 1, Widmung
- 4 Lieder, Op. 27, TrV 170 (text by J.H. Mackay): 4 Lieder, Op. 27, TrV 170: No. 4. Morgen
- Peer Gynt, Op. 23: Solveig's Cradle Song
- 8 Gedichte aus Letzte Blatter, Op. 10, TrV 141: 8 Gedichte aus Letzte Blatter, Op. 10, TrV 141: No. 8. Allerseelen
- Variation II – Scene 3: the Letter (Mrs Grose, Governess, Flora, Miles)
- Mozart: Mass in C minor, K.427 "Grosse Messe" - Edited Maunder / Gloria - Cum Sanctu Spiritu
- V. Ihr habt nun Traurigkeit
- Myrthen, Op. 25: No. 3, Der Nussbaum
- VII. Selig sind die Toten
- Dido And Aeneas, Act II: Scene 2: The Grove: Haste, Haste To Town
- 6 Lieder, Op. 37, TrV 187 (text by G. Falke and R. Dehmel): No. 4. Mein Auge
- 5 Kleine Lieder, Op. 69, TrV 237 (text by A. von Arnim and H. Heine): No. 5. Schlechtes Wetter
- Kyrie
- Quoniam tu solus
- Mozart: Mass in C minor, K.427 "Grosse Messe" - Edited Maunder / Credo - Et incarnatus est
- Einfache Lieder, Op. 9 (Excerpts): No. 6, Sommer
- 5 Songs of Norway, Op. 58: III. Henrik Wergeland
- 5 Lieder, Op. 48, TrV 202 (text by H.K. Henckell): 5 Lieder, Op. 48, TrV 202: No. 2. Ich schwebe
- 6 Romances, Op. 39: I. From Monte Pincio
- Myrthen, Op. 25: No. 10, Die Hochländer-Witwe
- Myrthen, Op. 25: No. 11, Lied der Braut I - Mutter, Mutter, glaube nicht
- Myrthen, Op. 25: No. 12, Lied der Braut II - Lass mich ihm an Busen hangen
- Myrthen, Op. 25: No. 4, Jemand
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