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Bryn Harrison

About the artist

Bryn Harrison (born 1969) studied for an MA in composition with Gavin Bryars at De Montfort University, Leicester. His music has been performed extensively in the UK at most of Britain’s leading festivals and broadcast on BBC Radio 3. He has established a particularly close association with the Huddersfield Contemporary Music Festival receiving prizes there in 1993 and 1995 and commissions from the festival in 1999 and 2002 and again in 2008 where he was a featured composer.

Top songs

  1. In Nomine after William Byrd
  2. In nomine after William Byrd (2001) for flute, oboe, clarinet, piano, vibraphone, violin, viola and Violoncello
  3. An Oblique
  4. Repetitions in Extended Time
  5. Vessels
  6. Three Descriptions of Place and Movement: No. 1, Opening
  7. Towards a slowing of the past
  8. Piano Quintet
  9. Receiving the Approaching Memory (2014): Part I
  10. Receiving the Approaching Memory (2014): Part II
Show all 100 songs
  1. MCE: I. —
  2. Receiving the Approaching Memory (2014): Part IV
  3. Receiving the Approaching Memory (2014): Part III
  4. MCE: IIa. —
  5. Receiving the Approaching Memory (2014): Part V
  6. Three Descriptions of Place and Movement: No. 2, Clearing
  7. How Things Come Together
  8. A Coiled Form
  9. Three Descriptions of Place and Movement: No. 3, Burrow
  10. Untitled
  11. surface forms (repeating)
  12. in nomine after william byrd (2001) for ensemble
  13. MCE: IIb. —
  14. MCE: III. —
  15. four parts to centre
  16. 8 Voices
  17. extract from 'A Coiled Form', for streaming
  18. Four Parts to Centre - Apartment House
  19. Listenings I
  20. Five Miniatures in Three Parts: I. —
  21. Dead Time
  22. Extract for streaming - Towards a slowing of the past
  23. Receiving the Approaching Memory: Part I
  24. Five Miniatures in Three Parts: II. —
  25. Receiving the Approaching Memory: Part II
  26. Five Miniatures in Three Parts: IV. —
  27. Receiving the Approaching Memory: Part III
  28. Receiving the Approaching Memory: Part IV
  29. Receiving the Approaching Memory: Part V
  30. Five Miniatures in Three Parts: III. —
  31. Five Miniatures in Three Parts: V. —
  32. Piano Set (Six Miniatures)
  33. Four Cycles
  34. 01 - Vessels
  35. Receiving The Approaching Memory
  36. eight voices
  37. In Nomine (After William Byrd)
  38. Receiving The Approaching Memory (Untitled)
  39. Receiving the Approaching Memory i.ii,iii,iv,v
  40. In nomine after William Byrd (2001)
  41. four cycles, for Large Ensemble (2006)
  42. The spectre...is always already a figure of that which is to come
  43. In nomine after William Byrd, for ensemble
  44. Part I
  45. low time patterns (#1-5)
  46. Piano Set
  47. Quietly Rising
  48. Receiving the Approaching Memory I
  49. Receiving the Approaching Memory II
  50. Receiving the Approaching Memory III
  51. Receiving the Approaching Memory IV
  52. Receiving the Approaching Memory V
  53. Part II
  54. Double Labyrinth (after Richard Dunn)
  55. in nomine after william byrd (2001), for alto flute, bass clarinet, English horn, piano, violin, viola, violoncello
  56. bryn - four cycles
  57. bryn - four parts to centre
  58. Receiving the Approaching Memory (Part 3)
  59. Receiving the Approaching Memory (Part 5)
  60. Receiving the Approaching Memory (Part 2)
  61. In nomine after William Byrd (2001) for flute, oboe, clarinet, piano, vibraphone, violin, viola and
  62. Receiving the Approaching Memory - Part 1
  63. Receiving the Approaching Memory - Part 2
  64. Ah! Coiled Form
  65. Receiving the Approaching Memory - Part 3
  66. Receiving the Approaching Memory - Part 4
  67. Receiving the Approaching Memory - Part 5
  68. Open 2
  69. Receiving the Approaching Memory (Part 1)
  70. -
  71. A Coiled Form (extract)
  72. (Ah!) Coiled Form
  73. Six Symmerties (1 of 6)
  74. Six Symmerties (2 of 6)
  75. Six Symmerties (3 of 6)
  76. Six Symmerties (4 of 6)
  77. Shifting Light
  78. Bryn Harrison: In nomine after William Byrd
  79. Four cycles (2002-05) for large ensemble - London Sinfonietta
  80. M.C.E. I
  81. Bryn Harrison: An Oblique
  82. Bryn Harrison: Listenings I
  83. Part III
  84. Part IV
  85. Part V
  86. Receiving the Approaching Memory-Excerpt
  87. Receiving the Approaching Memory: Movement V
  88. Receiving the Approaching Memory: 1
  89. Receiving the Approaching Memory: 2
  90. Receiving the Approaching Memory: 3

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