Arthur Farwell
About the artist
Arthur Farwell (23 March 1872 - 20 January 1952) was an American composer, conductor, educationalist, lithographer, esoteric savant, and music publisher. Farwell was born in St Paul, Minnesota. He trained as an engineer at Massachusetts Institute of Technology, graduating in 1893, but was turned towards a musical career by contact with the eccentric Boston-based composer Rudolf Gott. After studying in Boston, he became a pupil of Humperdinck in Berlin and Guilmant in Paris.
Top songs
- Dawn, Op. 12
- Pawnee Horses
- Song of Peace
- Song of the Deathless Voice
- Navajo War Dance
- Ichibuzzhi, Op. 13
- For Cynthia
- String Quartet in A Major, Op. 65 "The Hako"
- 2 Tone-Pictures, Op. 104: No. 2, Marine
- From Mesa and Plain, Op. 20: No. 2, Pawnee Horses
Show all 100 songs
- Navajo War Dance No. 2, Op. 29
- Impressions of the Wa-Wan Ceremony: Song of Peace, Op. 21
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: No. 2, Nearing the Village
- Three Indian Songs, Op. 32: No. 1, Song of the Deathless Voice
- Vale of Enitharmon, Op. 91
- Three Indian Songs: Song of the Deathless Voice, No. 1
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: No. 1, Receiving the Messenger
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: V. Raising the Pipes: Lightly, with motion
- 4 Indian Songs, Op. 102: No. 3, Pawnee Horses
- American Indian Melodies, Op. 11: Song of the Deathless Voice
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: IV. Laying Down the Pipes: Very broadly
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: VII. Song of Peace: Peacefully
- From Mesa and Plain - Navajo War Dance
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: I. Receiving the Messenger: Slowly and quietly
- The Old Man's Love Song, Op. 102, No. 2
- Polytonal Studies, Op. 109: V. in G-Flat Major / A-Flat Major
- Wild Nights! Wild Nights
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: II. Nearing the Village: Moderately
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: III. Song of Approach: Moderately, with breadth
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: VI. Invocation: With dignity, slowly
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: No. 7, Song of Peace
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: No. 4, Laying Down the Pipes
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: No. 5, Raising the Pipes
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: No. 3, Song of Approach
- 3 Indian Songs, Op. 32: No. 3, The Old Man's Love Song
- Polytonal Studies, Op. 109: III. in C Major / A Major
- Polytonal Studies, Op. 109: I. in C Major / G Major
- Polytonal Studies, Op. 109: XIII. in C Minor / F Minor: Very moderately
- Polytonal Studies, Op. 109: II. in G Major / C Major
- Polytonal Studies, Op. 109: IV. in A-Flat Major / C Major
- Three Indian Songs: Inketunga's Thunder Song, No. 2
- Three Indian Songs: The Old Man's Love Song, No. 3
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: No. 8, Choral
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: No. 6, Invocation
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21: VIII. Choral: Broadly, with religious feeling
- Polytonal Studies, Op. 109: VI. in C Major / B Major, "Sea Picture"
- Mesa and Plain, Op. 20: III. Prairie Miniature
- From Mesa and Plain: Navajo War Dance, Op. 20
- Polytonal Studies, Op. 109: IX. in G Major / D-Flat Major
- Piano Sonata, Op. 113
- Polytonal Studies, Op. 109: VII. in C Major / D-Flat Major
- In the Tetons, Op. 86: II. Lonely Campfire
- Mesa and Plain, Op. 20: II. Pawnee Horses
- Mesa and Plain, Op. 20: V. Plantation Melody
- Laughing Piece
- What's in an Octave?, Op. 84
- Polytonal Studies, Op. 109: VIII. in C Major / E-Flat Major
- From Mesa and Plain, Op. 20: No. 1, Navajo War Dance
- Polytonal Studies, Op. 109: X. in D Major / B-Flat Major
- Polytonal Studies, Op. 109: XXXIV. in E-Flat Major / E-Flat Major
- In the Tetons, Op. 86: I. Granite and Ice
- From Mesa and Plain, Op. 20: Pawnee Horses
- Tone Pictures After Pastels in Prose, Op. 7: II. The Sages Dance: In even rhythm - well accented
- Tone Pictures After Pastels in Prose, Op. 7: I. Roses and Lilies: Gracefully, with swaying motion
- Polytonal Studies, Op. 109: XI. in F Major / E-Flat Major
- In the Tetons, Op. 86: VI. The Peaks at Night
- Prairie Miniature
- In the Tetons, Op. 86: IV. Wild Flower
- Navajo war dance : for piano
- 2 Little Poems, Op. 106: No. 2, Strange Dream
- In the Tetons, Op. 86: III. Humoresque. Arduous Trail
- In the Tetons, Op. 86: V. Wind Play
- Sourwood Mountain, Op. 78: No. 3
- I. Mesa and Plain, Op. 20: Navajo War Dance
- Mesa and Plain, Op. 20: IV. Wa-Wan Choral
- The Gods of the Mountain - Suite, Op. 52: I. Beggars' Dreams
- The Gods of the Mountain Suite, Op. 52: II. Maya of the Moon
- Tone Pictures After Pastels in Prose, Op. 7: VII. Evening on the Water: Slowly and gracefully
- From Mesa and Plain, Op. 20: No. 2. "Pawnee Horses"
- Tone Pictures After Pastels in Prose, Op. 7: III. The Stranger: Mysteriously - with agitation
- Tone Pictures After Pastels in Prose, Op. 7: VI. Anywhere out of the World: With restless discontent - not too fast
- Tone Pictures After Pastels in Prose, Op. 7: IV. Indifference to the Lures of Spring: Sadly
- VII. Song of Peace: Peacefully
- Polytonal Studies, Op. 109: XX. in E-Flat Minor - A Minor: Deliberately fast, without hurrying
- I. in C major / G major
- Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21 - Song of Peace
- Navajo War Dance, Op. 102, No. 1
- The Domain of Hurikan, Op. 15
- Polytonal Studies, Op. 109: XIV. in B Minor / G Minor: Moderately fast
- 10 Emily Dickinson Songs, Op. 112: No. 1. Wild nights!
- From Mesa and Plain, Op. 20: No. 2. Pawnee Horses
- Polytonal Studies, Op. 109: XVIII. in F Minor / F-Sharp Minor: Fast
- Polytonal Studies, Op. 109: XIX. in G Minor / B Minor: Slowly
- Polytonal Studies, Op. 109: XXI. in B-Flat Minor / G Minor: Moderately fast
- 10 Emily Dickinson Songs, Op. 108: No. 8. I'm nobody! Who are you?
- Polytonal Studies, Op. 109: XII. in C Minor / G Minor: Moderately
- Tone Pictures After Pastels in Prose, Op. 7: VIII. A Poet Gazes on the Moon: Sombrely
- Polytonal Studies, Op. 109: XV. in C Minor / E-Flat Minor: Somewhat slowly, but with motion
- Polytonal Studies, Op. 109: XVI. in D Minor / E Minor: Rather fast
- Polytonal Studies, Op. 109: XXVI. in D-Flat Major / F Minor: Very moderately
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